I'm moving - See you there
>> Friday, March 27, 2009
Moved to My Sketchbooks - effective 3/27/2009 -
I'm reducing the number of blogs in order to better serve you.
Moved to My Sketchbooks - effective 3/27/2009 -
I'm reducing the number of blogs in order to better serve you.
"You cannot legislate the poor into freedom by legislating the wealthy
out of freedom. What one person receives without working for, another
person must work for without receiving.
The government cannot give to anybody anything that the government does not first take from somebody else. When half of the people get the idea that they do not have to
work because the other half is going to take care of them, and when
the other half gets the idea that it does no good to work because
somebody else is going to get what they work for, that my dear friend,
is about the end of any nation. You cannot multiply wealth by
dividing it." ---- The late Dr. Adrian Rogers, 1931 - 2005
are willing to work and give to those who would not."
An artist is 3 things: a collector of shapes and symbols, an illusionist, and an entertainer.
It is impossible for an artist to paint a living tree (or a dead one); he can only represent the tree in a realistic or symbolic manner. He does this with shapes or symbols that say to the viewer: "it's a tree." If the viewer agrees, then the artist has carried his message. The artist goes and collects these symbols and places them into pleasing arrangements and with pleasing colors. It is possible for the artist to do this in the positive or the negative, e.g., instead of painting the tree, he paints everything that is around the tree, and the tree shows, because the negative shapes share the same edge as the positive shapes (the tree.)
The artist is an illusionist, because he creates the illusions of atmospheric depth through the use of muted colors in the furthest parts of his painting, and through the use of brighter and warmer colors for the parts of the painting up close. In addition, he uses the techniques of linear perspective, overlapping shapes, and smaller shapes in the distance to produce the illusion of distance.
The artist is an entertainer. By directing your eye to an area, through good composition and leading shapes, it is his responsibility to entertain you in that area. This is especially true for the landscape painter, who once having you look at his focal area must now keep you there by providing entertaining shapes, details, calligraphy, or contrasting changes in color.
Below is a painting in which you can see some of these principles applied.
PLEASE, would you do me the kind favor of sending this to as many
people as you can? Christmas will be coming soon and some credit is due to our
U.S service men and women for our being able to celebrate these
festivities. Let's try in this small way to pay a tiny bit of what we owe. Make people
stop and think of our heroes, living and dead, who sacrificed themselves for us.
LCDR Jeff Giles, SC, USN
30th Naval Construction Regiment
OIC, Logistics Cell One
Al Taqqadum, Iraq

This painting was done for an October Fest Party at our clubhouse in Connestee Falls. The party was great and we were treated to several classical songs on the "Alpin Horn" by a member of the Greenville (SC) Symphony Orchestre (who plays the French Horn.)
This is my son and grandson - currently in S. Korea and soon to be in Tuscon, AZ. Notice that all the children are dressed in the uniforms of their parents.

Today, being Monday, the Connestee Art League met for creativity, coffee, and conversation.
This is the 2nd one of this topic that I've done. The sketch was freehand using only the watercolors and paint brush.
We'll begin with a box, and the plural is boxes,
But the plural of ox becomes oxen, not oxes.
One fowl is a goose, but two are called geese,
Yet the plural of moose should never be meese.
You may find a lone mouse or a nest full of mice,
Yet the plural of house is houses, not hice.
If the plural of man is always called men,
Why shouldn't the plural of pan be called pen?
If I speak of my foot and show you my feet,
And I give you a boot, would a pair be called beet?
If one is a tooth and a whole set are teeth,
Why shouldn't the plural of booth be called beeth?
Then one may be that, and three would be those,
Yet hat in the plural would never be hose,
And the plural of cat is cats, not cose.
We speak of a brother and also of brethren,
But though we say mother, we never say methren.
Then the masculine pronouns are he, his and him,
But imagine the feminine: she, shis and shim!
Let's face it - English is a crazy language. There is neither egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple.
English muffins weren't invented in England.
We take English for granted, but if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square, and a guinea pig is neither from Guinea nor is it a pig.
And why is it that writer's write but fingers don't fing, grocers don't groce and hammers don't ham.
If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn't preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat?
Sometimes I think all the folks who grew up speaking English should be committed to an asylum for the verbally insane.
In what other language do people recite at a play and play at a recital?
We ship by truck but send cargo by ship. We have noses that run and feet that smell.
And how can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out, and in which an alarm goes off by going on.
So if Father is Pop, how come Mother isn't Mop?
And that is just the beginning--even though this is the end.



One has to have a sketchbook -it's the artist's practice sheets. Just as a writer has a journal, or other notebook, this is where you put down your ideas, explore things about which you are reading or remember, or even fantasize. Below are three such examples.
This is a great photo from which I did this sketch. It's done with watercolor pencils. - Sometimes, "Less is More."
My Sketchbook is now being used as a planning device for my future work. In this book, I put down my thoughts, much in the same way that an author works with an outline.
In any endeavor, we must plan, compose, design with colors, with darks and lights, cool and warm. It matters not what our product is - a song, sonnet, saga, salacious soothing submersion, seacape or silence - we all follow this path towards our creations.
I did this from an old background that I had in my "to be looked at before painting" pile. So the background was there - I just added the rose - in honor of St. Patrick's day, the rose is Pthalogreen (mostly a blue-green.)
This work is on sale at my commercial site. This was from a picture I took while in DuPont State Forest, Little River, North Carolina. Just to the right of the covered bridge is the beginning of "High Falls" one of the largest drops of any falls in the U.S.


These sketches will have to hold you all till my wife and I return from Hawaii - We leave Thursday Nov 29th and will return December 16th - stopping in LA for a visit with friends. Looking forward to seeing our grandson, David. In previous posts you will see paintings of our grandsons, David and George. Happy Holidays to all.
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